Abstract:
This research aims to explore the musical dialect within the conventional idiom as well as the interpretational approach and analytical overview of the selected Piano Concertos. The three prominent and significant Piano Concertos were chosen as followed: 1) Concerto in E-flat major for Two Pianos and Orchestra, KV. 365 by Wolfgang Amadeus Mozart (1756-1791), 2) Concerto in C major for Piano, Violin, Cello, and Orchestra, Op.56 by Ludwig van Beethoven (1770-1827), and 3) Concerto for Two Pianos and Orchestra in D minor by Francis Poulenc (1899-1963). The research also presented the innovative revolutionary of the pianistic and interpretational challenges of the performing techniques included a stylistically authentic and musically dramatic context.
In additional to making the Mozart’s concerto to be a well-crafted presentation, the theoretically edited cadenza has been perfectly designed to this dissertation. The highlight of the research was the three international and national performances accompanied by the world renowned pianist such as Martin Widmaier and highly established orchestras, the Bulgarian New Symphony Orchestra and Royal Thai Air Force Symphony Orchestra.
