Abstract:
Thailand as a performative state is a research that looked at the cultural dimensions of Thailand’s diplomacy, by taking the alternative view on Thai cultural diplomacy towards PRC. Thai cultural diplomacy, according to existing literature, revolves around promoting Thainess. However, in the case of China, Thailand has been using Chineseness as Thai cultural diplomacy. The research specifically looked at five Thai state actors that are most involved with Chineseness, namely, the royal family, the government, the Ministry of Culture, the Ministry of Foreign Affairs, and the Tourism Authority of Thailand. Two questions were raised in this research. Firstly, how Chineseness is being used in Thai cultural diplomacy, where the research will lay out events, initiatives, speeches, etc. from the Thai state, that constitute as Chineseness. The research, then, categorizes how Chineseness is being promoted by the Thai State actors, by analyzing the initiatives as Old Chineseness as portrayed by Sampheng Chinese community or New Chineseness as portrayed by Huai Khwang Chinese community, two largest, yet, very distinctive Chinese communities in Bangkok. Findings show that Old Chineseness is portrayed more across all five Thai state actors.
Consequently, the question of why does the Thai State use Sampheng Chineseness in Thai cultural diplomacy is asked, which will throw light on why the Old Chineseness, portrayed by old Chinese communities in Thailand like Sampheng, is still represented in Thai cultural diplomacy, even more than the new and modern-day Sino-centric Chineseness, that is more attached to the present-day PRC. The findings proved that Old Chineseness is used more because of the assimilated Sampheng Chinese community and how they have integrated into Thai society, Chinese state’s influence over Thai cultural diplomacy, and the royal family’s personal interests in Chineseness.
